#Secret garden quincy jones youtube full#

#Secret garden quincy jones youtube full#

But if those don’t completely whet your thirst, there’s a whole lot where that came from.Īnd given that Davis put down the horn, ravaged by illness, for six years afterward, Agharta and Pangaea represent something of a culmination of Davis as the intrepid deconstructionist.ĭespite what you may have heard, ‘80s Miles - his final full decade on earth, and the one where he drew heavily from pop sounds and songs - is nothing to sniff at.

One critic characterized the music as “ambient yet thrashing,” compared it to “Fela Kuti jamming with Can,” and identified hints of Stockhausen, and nailed it on all three counts.įans of thick, heavy, electrified Miles typically reach for Bitches Brew or On the Corner first. Two primo dispatches from Davis’ experimental years, capturing two concerts from the same evening in Osaka, Agharta and Pangaea are amoebic, undulating wonders.Īcross the nearly 100-minute Agharta and 88-minute Pangaea, Davis and company - including alto and soprano saxophonist Sonny Fortune, and guitarists Reggie Lucas and Pate Cosey - conjure everything we expect from electric Miles.Ībstracted drones, worldbeat textures, Davis’ trumpet funneled through twisted wah-wah: check, check, and check. But there’s not only room for both in order to exist, the former requires the latter, and vice versa.Īnd given that Davis is, in many respects, the quintessential jazz musician, this wholly applies to him and his formidable discography - where the capital-P pivotal ones, like Kind of Blue and Bitches Brew, get the majority of the ink.Īfter you check out Seven Steps to Heaven and the like - and absorb Coleman’s important contributions to Davis’s story - take a spin through five more Davis albums that deserve more attention. With pianist Herbie Hancock, bassist Ron Carter and drummer Tony Williams as the rhythm section - 18 GRAMMYs between them - the result was one of jazz’s all-time classic groups.īut Farnsworth’s point is well taken: in the recorded canon, jazz tends to lionize the rulebook-shredders and boundary-shatterers, at the expense of merely excellent work. Granted, Coleman’s tenure represented a transitional period for Davis’s group his choice of tenorist would solidify in 1964 with the arrival of the 12-time GRAMMY winner and 23-time nominee Wayne Shorter. “What happened to ‘Four’ & More ? What happened to My Funny Valentine ? What happened to Seven Steps to Heaven ?” Farnsworth remembered wondering. “This documentary went from Coltrane straight to Sam Rivers,” Farnsworth told LondonJazz News in 2023 - referring to the tenormen the eight-time GRAMMY winner and 32-time nominee employed in his so-called First and Second Great Quintets, respectively. The leading straight-ahead drummer was sitting with the revered tenor saxophonist George Coleman, and a Miles Davis documentary happened to come on TV. Listen to Omar Wilson, Shawn Stockman, Sisqó and Raheem DeVaughn’s version of “The Secret Garden” below.Joe Farnsworth couldn’t believe what he was watching. Thank you Quincy Jones for the creation and inspiration and we look forward to making you proud. Meanwhile, Wilson said, “Being able to recreate an already iconic song and share the journey with three other powerful singers is beyond a dream come true for me. It’s an honor to be on the track with three other distinct voices and reintroduce an entire new generation to this vibe.”

This was a no-brainer for me,” said Sisqó.ĭeVaughn added, “For me, remakes are about preserving the culture of a song and vibe that was already ingenious. “I am extremely excited to be part of a Quincy Jones classic originally performed by legendary artist like Al B Sure, James Ingram, El DeBarge and Barry White. I hope he enjoys what I’ve done”, Stockman said in a statement. I wanted to preserve the integrity of the part of one of my heroes, (El Debarge). “To perform this classic with this caliber of artists was an honor. Sure!, James Ingram, El DeBarge and Barry White. R&B crooners Omar Wilson, Shawn Stockman, Sisqó and Raheem DeVaughn have joined forces to remake Quincy Jones’ classic “The Secret Garden (Sweet Seduction Suite),” which originally featured Al B.